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October 21, 2026
Whitehot Magazine:

Last Week to See Halfway Out to Heaven: Nana Wolke at Management, by Lara Pan
October 12, 2026
Interview Magazine:

Artists Nana Wolke and Kembra Pfahler on Florida’s Exotic Underbelly, by Kembra Pfahler
September 25, 2026
The Art Newspaper:

At The Armory Show, emerging galleries are clear-eyed about the risks and rewards of doing fairs, by Carlie Porterfield
September 24, 2026
Artforum:

Nana Wolke's Halfway Out to Heaven is selected as a Must See
August 5, 2026
Exclama: New Grotesque: The Aesthetics of Overflow
July 16, 2026
Two Coats of Paint: Evolving horror at Management, by Patrick Bell
July 15, 2026
ARTnews: At Management Gallery, Grotesque Art Evolves for the Doomscroll Era, by Tessa Solomon
July 14, 2026
Cult: Horror Without Permission: The New Grotesque at Management
July 10, 2026
Family Style: Get It While It’s Hot, by Bryan Martin
July 9, 2026
The New York Times: Art Gallery Shows to See in July, by Travis Diehl
July 6, 2026
Critics Chronicle: David Altmejd: Psychic Surgery, by Maria Mora Martinez
July 1, 2026
L’Essenziale Studio: The Consolation of Familiar Terrors, ‘New Grotesque’ at Management, by Marco Galvan
June 3, 2026
Two Coats of Paint: Amorelle Jacox’s spiritual science, by William Corwin
June 2, 2026
Brooklyn Rail: Amorelle Jacox: Mothers of Time, by Andrew Paul Woolbright
May 14, 2026
The Art Newspaper: Esther fair goes out on top, by Sophia Kishkovsky
May 13, 2026
Observer: As New York’s Art Week Kicks Off, Here’s What Not to Miss at Esther III, by Elisa Carollo
May 1, 2026
Family Style: The concepts of time and space are both an entry and departure for Amorelle Jacox, who draws out enigma from the shadows of her seven new paintings, by Hindley Wang
April 30, 2026
Artforum: Amorelle Jacox's Mothers of Time is selected as a Must See
March 27, 2026
The New York Times: Art Gallery Shows to See in March, by Will Heinrich
March 19, 2026
Mousse: Bat-Ami Rivlin “Untitled (radiators, zip ties)” at Management, New York
February 24, 2026
Thisispaper: Außerkörperliche Erfahrung: Wandering Spirit by Jura Shust, by Alexander Zaxarov
February 23, 2026
Cult: The Cemetery Is a Database: Jura Shust's Ritual Technologies
February 10, 2026
Letras Libres: El dinero no basta (reflexiones sobre la Semana del arte), by Carlos Rodríguez
February 6, 2026
Exclama: Not Everything Is for Sale | No todo está en venta
February 5, 2026
Reforma: Sortea feria Material burocracia aduanal, by Israel Sánchez
February 4, 2026
Whitewall: Anastasia Komar Is Turning Speculative Technology into Contemporary Art, by Heike Demster
February 3, 2026
The New York Times Style Magazine: México: Feria Material, un ecosistema propio
January 30, 2026
Mousse Magazine: Jura Shust “Außerkörperliche Erfahrung: Wandering Spirit” at Management, New York
January 23, 2026
ARTnews: Why Are So Many New York Gallery Shows This Winter About Saving the Trees?, by Alex Greenberger
January 19, 2026
Umbigo: Between Conifers and Code: Jura Shust on Myth, Memory and Machines, by Alexander Burenkov
January 12, 2026
Artforum: Jura Shust's Außerkörperliche Erfahrung: Wandering Spirit is selected as a Must See
December 7, 2025
ARTCUBE: Anastasia Komar and Vladislav Markov featured in ARTCUBE 2026 Discoveries Report
November 3, 2025
Artforum: Kate Liebman's Gilgul (The Wheel) is selected as a Must See
October 25, 2025
CURA: Vladislav Markov: Objects in Mirror May be Closer than they Appear, by Matteo Giovanelli
October 9, 2025
Ocula: Vladislav Markov Automates the Strip Club, by Kat Kitay
September 24, 2025
Spike: Libra Season: Look But Don't Touch, by Travis Diehl
September 22, 2025
Artforum: Virtual Dementia Tours, by Lola Kramer
September 15, 2025
Impulse Magazine: Editors’ Selects: September 2025, by Tobias Olson
September 12, 2025
The New York Times: What to See in Galleries in September, by Martha Schwendener
September 2, 2025
Artforum: Vladislav Markov's OBJECTS IN MIRROR MAY BE CLOSER THAN THEY APPEAR is selected as a Must See
July 14, 2025
Artforum: exuviae is selected as a Must See
June 3, 2025
Art Spiel: Art Spiel Picks NYC: Decentering the Human—Or at Least Trying To, by Vita Eruhimovitz
May 22, 2025
The New York Times: What to See in N.Y.C. Galleries in May, by Seph Rodney
May 21, 2025
Esquire: How a Classic Esquire Cover Inspired Tahir Karmali’s Latest Art, by Jonathan Evans
May 15, 2025
Thisispaper: LUCA by Anastasia Komar at Management
May 9, 2025
Family Style: Stand-out works burst through the otherwise risk-averse bubble at this year’s Frieze New York, by Rachel Summer Small
May 9, 2025
Observer: The Art Market Defies Doom and Gloom With Independent, Esther and Future Fair in Full Swing, by Elisa Carollo
May 5, 2025
Elephant: All of the Art You Can’t Afford to Miss in New York This May
May 2, 2025
The New York Times: Lumi Tan on How She Plans Frieze New York’s Focus Program, by Alix Strauss
May 2, 2025
Wallpaper: What not to miss at Frieze New York 2025, by Annabel Keenan
May 2, 2025
Galerie: What to Look for at Frieze New York 2025
May 1, 2025
Dazed Korea: Anastasia Komar featured in Dazed Korea
May 1, 2025
Observer: 10 Must-See Gallery Shows to Catch in New York This May, by Elisa Carollo
April 1, 2025
Artforum: Tim Brawner's Last Caress reviewed by Jonathan Odden
March 28, 2025
Frieze: New York’s Emerging Galleries Double Down by Shanti Escalante de Mattei
March 27, 2025
Frieze: With Plastic-Eating Enzymes, Xin Liu Critiques Consumerism, by Annabel Keenan
March 19, 2025
Mousse: Xin Liu “The Permanent and the Insatiable” at Management, New York
March 4, 2025
Paper: March's Must-See Art Shows in NYC and Beyond, by Harry Tafoya
March 1, 2025
King Kong Magazine: Vladislav Markov in conversation with Valerie Mindlin
March 1, 2025
Flash Art: Sculpting Light. Nana Wolke in Conversation with Michela Ceruti
March 1, 2025
Artforum: Vladislav Markov's blood thinner, low-dose aspirin, best painkillers for kids’ reviewed by Valerie Mindlin
February 13, 2025
Document: Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay, by Jesse Firestone
February 10, 2025
Impulse: Tim Brawner’s Strange Twist, by Lili Rebeka Toth
February 4, 2025
Fakewhale: Vladislav Markov, ’blood thinner, low-dose aspirin, best painkillers for kids’ by Matteo Giovanelli
February 1, 2025
Numero Berlin: Vladislav Markov: Just Above the Happy Line, by Emily Mei-Mei Rose
January 10, 2025
Artforum: Tim Brawner's Last Caress is selected as a Must See
December 30, 2024
Exibart: Vladislav Markov, ready made alterati, in mostra alla Address Gallery di Brescia by Jonathan Vecchini
December 18, 2024
Vogue Scandinavia: Anastasia Komar’s sculptural paintings merge artificial and biological in beautiful and eerie ways by Anna Mikaela Ekstrand
December 17, 2024
Flash Art: Vladislav Markov “blood thinner, low-dose aspirin, best painkillers for kids” The Address Gallery / Brescia, by Edoardo Durante
December 16, 2024
Artforum: Jaeheon Lee's Ghosts in the Garden is selected as a Must See
December 15, 2024
Juliet: Vladislav Markov: blood thinner, low-dose aspirin, best painkillers for kids, by Massimiliano Bastardo
December 11, 2024
Brooklyn Rail: Jaeheon Lee: Ghosts in the Garden, by William Corwin
December 5, 2024
Arcane: Nana Wolke interviewed by Antoine Clauss
December 3, 2024
artnet: At NADA Miami, Collectors Are ‘Ready to Buy Stuff,’ But the Dance Floor Is Far From Crowded, by Annie Armstrong
November 21, 2024
Visual Atelier 8: Jaeheon Lee evocative figurative paintings in a debut exhibition at Management
November 21, 2024
stupidDOPE: Jaeheon Lee Explores Cultural Reckoning in Ghosts in the Garden, by Jesse James
November 19, 2024
Hypebeast: Jaeheon Lee Embraces Haunting Beauty in 'Ghosts in the Garden', by Erin Ikeuchi
November 15, 2024
Emergent Magazine: 'Blood thinner, low-dose aspirin, best painkillers for kids' by Vladislav Markov
October 31, 2024
Mousse: Jaeheon Lee “Ghosts in the Garden” at Management, New York
October 11, 2024
Art Circle: 15th Gwangju Biennale: PANSORI: A Soundscape of the 21st Century
October 11, 2024
Document: In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human, by Maya Kotomori
September 4, 2024
Artforum: Tahir Karmali's Eternal Rent is selected as a Must See
August 21, 2024
Frieze: Nicolas Bourriaud Sounds Out the Gwangju Biennale
June 7, 2024
Mousse Magazine: Nana Wolke Breed at Management
June 3, 2024
Emergent Magazine: Breed at Management
May 29, 2024
designboom: Anastasia Komar's hybrid artworks are interwoven with sinuous biological sculpture
May 28, 2024
Plaster Magazine: The Radar: Nana Wolke, Dani Marcel and Sonia Jia
May 21, 2024
Attaly: Tim Brawner: The Visionary Artist Unveiling the Hidden Beauty of Everyday Life
May 20, 2024
Surface: Anastasia Komar Prods at Science’s “God Complex” Question, by Jenna Adrian-Doaz
May 16, 2024
Artforum: Nana Wolke's Breed is selected as a Must See
May 11, 2024
Whitehot Magazine: 15 Years of Sustained Fabulousness at Independent Art Fair, by Ruben Natal-San Miguel
May 10, 2024
The Art Newspaper: New York’s Independent art fair delivers an ‘adrenaline shot’ for dealers and collectors, by Carlie Porterfield
May 7, 2024
Whitewall: Independent Returns to Tribeca for a Triumphant 15th Edition
May 7, 2024
artnet: 8 Artists Share How They Set the Perfect Vibe in the Studio, by Verity Babbs
May 6, 2024
artnet: How Artist Katie Hector Achieves Her Spellbinding Portraits Without Using a Drop of Paint, by Annikka Olsen
May 4, 2024
Art Spiel: Katie Hector & Ernesto Renda: on East & West Coast exhibitions
May 2, 2024
artnet: What Is Esther? A Mysteriously Named Event Experiments with What an Art Fair Can Be, by Katya Kazakina
April 30, 2024
The Art Newspaper: New Manhattan art fair has Estonian flavour, by Sophia Kishkovsky
April 20, 2024
Artforum: Katie Hector's Ego Rip is selected as a Must See
April 4, 2024
Newcoin: Multifaceted Artist Vladislav Markov Unpacks His Magadan Childhood, The Dissection of Objects, and Studio Organization Tips!
April 3, 2024
Whitehot Magazine: On Gravity was an entity: Amorelle Jacox and Jessi Li at Management, NYC, by Kirsten Cave
March 15, 2024
artnet: Dallas Art Fair Returns With Immersive Experiences and a Full Slate of Programming for 16th Edition
March 1, 2024
ARTnews: New Alternative Art Fair Esther to Launch in May During Frieze New York
January 31, 2024
ARTnews: Independent New York Names Exhibitor List for 2024 Edition in May
January 29, 2024
BOMB: Anastasia Komar by Charlotte Kent
January 26, 2024
Art Viewer: Marlon Kroll at Management
January 25, 2024
Artforum: Marlon Kroll's Lullaby is selected as a Must See
December 8, 2023
Whitewall: NADA Miami 2023 Hosts a Dynamic Show
December 6, 2023
The Art Newspaper: Nada Miami's early launch brings boost to fair and exhibitors, by Tim Schneider
November 29, 2023
Artforum: Asif Mian's The Village Bites Itself is a Critics' Pick, by Nina Chkareuli-Mdivani
November 27, 2023
exibart: It’s a wrap! La Feria LOOP desde dentro
November 21, 2023
Bonart: LOOP Fair 2023: The exploration of nature and the review of the past from the archive are two of the strongest thematic lines in the program
November 9, 2023
Artnet: Artists to Watch This Month: 10 Solo Gallery Exhibitions in New York to Have on Your Radar in November
November 8, 2023
Man In Town: Artissima 2023: 5 Artisti Che Ci Hanno Emozionato
November 4, 2023
L’Echo: La foire Artissima, à Turin: un modèle unique
November 3, 2023
Artribune: I migliori 9 stand all’edizione 2023 di Artissima
November 3, 2023
Elle Decor Italy: What to See at Artissima 2023, Section by Section
November 2, 2023
exibart: Sperimentale, di ricerca e cutting-edge, Artissima compie 30 anni
October 16, 2023
Archinect: AI Bias and Digital Colonialism; A Conversation with Morehshin Allahyari,by Niall Patrick Walsh
October 4, 2023
Art Viewer: Merik Goma at Management
September 27, 2023
Tique: Six Questions For Jura Shust
September 26, 2023
0→1: Vladislav Markov
September 13, 2023
Collector Daily: Merik Goma at Management
September 9, 2023
La Voce di New York: PhotoFairs Is Taking Over Javits Center for the Weekend
September 8, 2023
The Art Newspaper: Photofairs New York shows the promise and peculiarity of an evolving market, by Tim Schneider
September 7, 2023
Handelsblatt: Saisonstart in New York: Die neue Fotomesse gibt sich jung
August 11, 2023
Meer: Merik Goma. Your absence is my monument; When your being was my everything
July 4, 2023
Artnet: In His East Williamsburg Studio, Artist Vladislav Markov Makes 3D Prints, Pounds Coffee, and Plays a Single Song on Repeat, by Katie White
June 18, 2023
O Fluxo: Tim Brawner, Glad Tidings
June 1, 2023
Yale University Radio: Tim Brawner interview with Brainard Carey
May 31, 2023
The Brooklyn Rail: Tim Brawner's Glad Tidings reviewed by Andrew Woolbright
May 22, 2023
Kubaparis: Tim Brawner, Glad Tidings
May 22, 2023
Artforum: Tim Brawner's Glad Tidings is a Critics' Pick, by Chris Bors
May 19, 2023
Artnet: The Dust, the Paint, the Glue: Artists at NADA New York Embrace Household Materials and Domestic Scenes While Digital Art Recedes

"Nearby on the roof, there’s a mesmeric video work by Morehshin Allahyari, a composite of A.I.-generated images that counter the gendered gaze of 18th-century Persian portraiture. It stands out as a genuinely compelling use of A.I. in art, but also as something of an outlier at NADA." — Richard Whiddington
May 19, 2023
The New York Times: NADA Art Fair Takes Chelsea With High Energy

"At once hypnotic and unnerving is “Moon-Faced,” a video installation of Qajar Dynasty Persian portraits digitally rendered androgynous by Morehshin Allahyari, presented on the roof by Management, New York." — Will Heinrich
May 14, 2023
Art Viewer: Tim Brawner, Glad Tidings
May 10, 2023
Autre: Tim Brawner, Glad Tidings
May 3, 2023
Artforum: Tim Brawner's Glad Tidings is selected as a Must See
April 4, 2023
LVL3: Jura Shust, Artist of the Week
March 22, 2023
Mint Tea: Tim Brawner interviewed by Jeannie Rhyu
February 22, 2023
Stirworld: In 'Coniferous Succession' conifers metamorphosise as sites of excavation, by Dilpreet Bhullar
February 18, 2023
Kubaparis: Jura Shust, Coniferous Succession
February 18, 2023
O Fluxo: Jura Shust, Coniferous Succession
February 18, 2023
Art Viewer: Jura Shust at Management
January 31, 2023
art21: In the Studio: Morehshin Allahyari re-figures histories and imagines new futures by Kayla Anderson
January 25, 2023
Artnet: ChatGPT May Well Rewrite the Rules of the Art World. But Art Also Shows Us the Limits of What A.I. Can Do, by Tim Schneider
January 20, 2023
Artforum: Jura Shust's Coniferous Succession is selected as a Must See
December 16, 2019
BOMB: Collaborative Creation: Tahir Karmali Interviewed
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