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August 5, 2026
New Grotesque: The Aesthetics of Overflow (Exclama)
July 16, 2026
Evolving horror at Management, by Patrick Bell (Two Coats of Paint)
July 15, 2026
At Management Gallery, Grotesque Art Evolves for the Doomscroll Era, by Tessa Solomon (ARTnews)
July 14, 2026
Horror Without Permission: The New Grotesque at Management (Cult)
July 10, 2026
Get It While It’s Hot, by Bryan Martin (Family Style)
July 9, 2026
Art Gallery Shows to See in July, by Travis Diehl (The New York Times)
July 6, 2026
David Altmejd: Psychic Surgery, by Maria Mora Martinez (Critics Chronicle)
July 1, 2026
The Consolation of Familiar Terrors, ‘New Grotesque’ at Management, by Marco Galvan (L’Essenziale Studio)
June 3, 2026
Amorelle Jacox’s spiritual science, by William Corwin (Two Coats of Paint)
June 2, 2026
Amorelle Jacox: Mothers of Time, by Andrew Paul Woolbright (Brooklyn Rail)
May 14, 2026
Esther fair goes out on top, by Sophia Kishkovsky (The Art Newspaper)
May 13, 2026
As New York’s Art Week Kicks Off, Here’s What Not to Miss at Esther III, by Elisa Carollo (Observer)
May 1, 2026
The concepts of time and space are both an entry and departure for Amorelle Jacox, who draws out enigma from the shadows of her seven new paintings, by Hindley Wang (Family Style)
April 30, 2026
Amorelle Jacox's Mothers of Time is selected as a Must See (Artforum)
March 27, 2026
Art Gallery Shows to See in March, by Will Heinrich (The New York Times)
March 19, 2026
Bat-Ami Rivlin “Untitled (radiators, zip ties)” at Management, New York (Mousse)
February 24, 2026
Außerkörperliche Erfahrung: Wandering Spirit by Jura Shust, by Alexander Zaxarov (Thisispaper)
February 23, 2026
The Cemetery Is a Database: Jura Shust's Ritual Technologies (Cult)
February 10, 2026
El dinero no basta (reflexiones sobre la Semana del arte), by Carlos Rodríguez (Letras Libres)
February 6, 2026
Not Everything Is for Sale | No todo está en venta (Exclama)
February 5, 2026
Sortea feria Material burocracia aduanal, by Israel Sánchez (Reforma)
February 4, 2026
Anastasia Komar Is Turning Speculative Technology into Contemporary Art, by Heike Demster (Whitewall)
February 3, 2026
Feria Material, un ecosistema propio (The New York Times Style Magazine: México)
January 30, 2026
Jura Shust “Außerkörperliche Erfahrung: Wandering Spirit” at Management, New York (Mousse Magazine)
January 23, 2026
Why Are So Many New York Gallery Shows This Winter About Saving the Trees?, by Alex Greenberger (ARTnews)
January 19, 2026
Between Conifers and Code: Jura Shust on Myth, Memory and Machines, by Alexander Burenkov (Umbigo)
January 12, 2026
Jura Shust's Außerkörperliche Erfahrung: Wandering Spirit is selected as a Must See (Artforum)
December 7, 2025
Anastasia Komar and Vladislav Markov featured in ARTCUBE 2026 Discoveries Report (ARTCUBE)
November 3, 2025
Kate Liebman's Gilgul (The Wheel) is selected as a Must See (Artforum)
October 25, 2025
Vladislav Markov: Objects in Mirror May be Closer than they Appear, by Matteo Giovanelli (CURA)
October 9, 2025
Vladislav Markov Automates the Strip Club, by Kat Kitay (Ocula)
September 24, 2025
Libra Season: Look But Don't Touch, by Travis Diehl (Spike)
September 22, 2025
Virtual Dementia Tours, by Lola Kramer (Artforum)
September 15, 2025
Editors’ Selects: September 2025, by Tobias Olson (Impulse Magazine)
September 12, 2025
What to See in Galleries in September, by Martha Schwendener (The New York Times)
September 2, 2025
Vladislav Markov's OBJECTS IN MIRROR MAY BE CLOSER THAN THEY APPEAR is selected as a Must See (Artforum)
July 14, 2025
exuviae is selected as a Must See (Artforum)
June 3, 2025
Art Spiel Picks NYC: Decentering the Human—Or at Least Trying To, by Vita Eruhimovitz (Art Spiel)
May 22, 2025
What to See in N.Y.C. Galleries in May, by Seph Rodney (The New York Times)
May 21, 2025
How a Classic Esquire Cover Inspired Tahir Karmali’s Latest Art, by Jonathan Evans (Esquire)
May 15, 2025
LUCA by Anastasia Komar at Management (Thisispaper)
May 9, 2025
Stand-out works burst through the otherwise risk-averse bubble at this year’s Frieze New York, by Rachel Summer Small (Family Style)
May 9, 2025
The Art Market Defies Doom and Gloom With Independent, Esther and Future Fair in Full Swing, by Elisa Carollo (Observer)
May 5, 2025
All of the Art You Can’t Afford to Miss in New York This May (Elephant)
May 2, 2025
Lumi Tan on How She Plans Frieze New York’s Focus Program, by Alix Strauss (The New York Times)
May 2, 2025
What not to miss at Frieze New York 2025, by Annabel Keenan (Wallpaper)
May 2, 2025
What to Look for at Frieze New York 2025 (Galerie)
May 1, 2025
Anastasia Komar featured in Dazed Korea (Dazed Korea)
May 1, 2025
10 Must-See Gallery Shows to Catch in New York This May, by Elisa Carollo (Observer)
April 1, 2025
Tim Brawner's Last Caress reviewed by Jonathan Odden (Artforum)
March 28, 2025
New York’s Emerging Galleries Double Down by Shanti Escalante de Mattei (Frieze)
March 27, 2025
With Plastic-Eating Enzymes, Xin Liu Critiques Consumerism, by Annabel Keenan (Frieze)
March 19, 2025
Xin Liu “The Permanent and the Insatiable” at Management, New York (Mousse)
March 4, 2025
March's Must-See Art Shows in NYC and Beyond, by Harry Tafoya (Paper)
March 1, 2025
Vladislav Markov in conversation with Valerie Mindlin (King Kong Magazine)
March 1, 2025
Sculpting Light. Nana Wolke in Conversation with Michela Ceruti (Flash Art)
March 1, 2025
Vladislav Markov's blood thinner, low-dose aspirin, best painkillers for kids’ reviewed by Valerie Mindlin (Artforum)
February 13, 2025
Tim Brawner’s ‘The Last Caress’ is a portrait of glamor and decay, by Jesse Firestone (Document)
February 10, 2025
Tim Brawner’s Strange Twist, by Lili Rebeka Toth (Impulse)
February 4, 2025
Vladislav Markov, ’blood thinner, low-dose aspirin, best painkillers for kids’ by Matteo Giovanelli (Fakewhale)
February 1, 2025
Vladislav Markov: Just Above the Happy Line, by Emily Mei-Mei Rose (Numero Berlin)
January 10, 2025
Tim Brawner's Last Caress is selected as a Must See (Artforum)
December 30, 2024
Vladislav Markov, ready made alterati, in mostra alla Address Gallery di Brescia by Jonathan Vecchini (Exibart)
December 18, 2024
Anastasia Komar’s sculptural paintings merge artificial and biological in beautiful and eerie ways by Anna Mikaela Ekstrand (Vogue Scandinavia)
December 17, 2024
Vladislav Markov “blood thinner, low-dose aspirin, best painkillers for kids” The Address Gallery / Brescia, by Edoardo Durante (Flash Art)
December 16, 2024
Jaeheon Lee's Ghosts in the Garden is selected as a Must See (Artforum)
December 15, 2024
Vladislav Markov: blood thinner, low-dose aspirin, best painkillers for kids, by Massimiliano Bastardo (Juliet)
December 11, 2024
Jaeheon Lee: Ghosts in the Garden, by William Corwin (Brooklyn Rail)
December 5, 2024
Nana Wolke interviewed by Antoine Clauss (Arcane)
December 3, 2024
At NADA Miami, Collectors Are ‘Ready to Buy Stuff,’ But the Dance Floor Is Far From Crowded, by Annie Armstrong (artnet)
November 21, 2024
Jaeheon Lee evocative figurative paintings in a debut exhibition at Management (Visual Atelier 8)
November 21, 2024
Jaeheon Lee Explores Cultural Reckoning in Ghosts in the Garden, by Jesse James (stupidDOPE)
November 19, 2024
Jaeheon Lee Embraces Haunting Beauty in 'Ghosts in the Garden', by Erin Ikeuchi (Hypebeast)
November 15, 2024
'Blood thinner, low-dose aspirin, best painkillers for kids' by Vladislav Markov (Emergent Magazine)
October 31, 2024
Jaeheon Lee “Ghosts in the Garden” at Management, New York (Mousse)
October 11, 2024
15th Gwangju Biennale: PANSORI: A Soundscape of the 21st Century (Art Circle)
October 11, 2024
In Tahir Karmali’s ‘Eternal Rent,’ infrastructure is human, by Maya Kotomori (Document)
September 4, 2024
Tahir Karmali's Eternal Rent is selected as a Must See (Artforum)
August 21, 2024
Nicolas Bourriaud Sounds Out the Gwangju Biennale (Frieze)
June 7, 2024
Nana Wolke Breed at Management (Mousse Magazine)
June 3, 2024
Breed at Management (Emergent Magazine)
May 29, 2024
Anastasia Komar's hybrid artworks are interwoven with sinuous biological sculpture (designboom)
May 28, 2024
The Radar: Nana Wolke, Dani Marcel and Sonia Jia (Plaster Magazine)
May 21, 2024
Tim Brawner: The Visionary Artist Unveiling the Hidden Beauty of Everyday Life (Attaly)
May 20, 2024
Anastasia Komar Prods at Science’s “God Complex” Question, by Jenna Adrian-Doaz (Surface)
May 16, 2024
Nana Wolke's Breed is selected as a Must See (Artforum)
May 11, 2024
15 Years of Sustained Fabulousness at Independent Art Fair, by Ruben Natal-San Miguel (Whitehot Magazine)
May 10, 2024
New York’s Independent art fair delivers an ‘adrenaline shot’ for dealers and collectors, by Carlie Porterfield (The Art Newspaper)
May 7, 2024
Independent Returns to Tribeca for a Triumphant 15th Edition (Whitewall)
May 7, 2024
8 Artists Share How They Set the Perfect Vibe in the Studio, by Verity Babbs (artnet)
May 6, 2024
How Artist Katie Hector Achieves Her Spellbinding Portraits Without Using a Drop of Paint, by Annikka Olsen (artnet)
May 4, 2024
Katie Hector & Ernesto Renda: on East & West Coast exhibitions (Art Spiel)
May 2, 2024
What Is Esther? A Mysteriously Named Event Experiments with What an Art Fair Can Be, by Katya Kazakina (artnet)
April 30, 2024
New Manhattan art fair has Estonian flavour, by Sophia Kishkovsky (The Art Newspaper)
April 20, 2024
Katie Hector's Ego Rip is selected as a Must See (Artforum)
April 4, 2024
Multifaceted Artist Vladislav Markov Unpacks His Magadan Childhood, The Dissection of Objects, and Studio Organization Tips! (Newcoin)
April 3, 2024
On Gravity was an entity: Amorelle Jacox and Jessi Li at Management, NYC, by Kirsten Cave (Whitehot Magazine)
March 15, 2024
Dallas Art Fair Returns With Immersive Experiences and a Full Slate of Programming for 16th Edition (artnet)
March 1, 2024
New Alternative Art Fair Esther to Launch in May During Frieze New York (ARTnews)
January 31, 2024
Independent New York Names Exhibitor List for 2024 Edition in May (ARTnews)
January 29, 2024
Anastasia Komar by Charlotte Kent (BOMB)
January 26, 2024
Marlon Kroll at Management (Art Viewer)
January 25, 2024
Marlon Kroll's Lullaby is selected as a Must See (Artforum)
December 8, 2023
NADA Miami 2023 Hosts a Dynamic Show (Whitewall)
December 6, 2023
Nada Miami's early launch brings boost to fair and exhibitors, by Tim Schneider (The Art Newspaper)
November 29, 2023
Asif Mian's The Village Bites Itself is a Critics' Pick, by Nina Chkareuli-Mdivani (Artforum)
November 27, 2023
It’s a wrap! La Feria LOOP desde dentro (exibart)
November 21, 2023
LOOP Fair 2023: The exploration of nature and the review of the past from the archive are two of the strongest thematic lines in the program (Bonart)
November 9, 2023
Artists to Watch This Month: 10 Solo Gallery Exhibitions in New York to Have on Your Radar in November (Artnet)
November 8, 2023
Artissima 2023: 5 Artisti Che Ci Hanno Emozionato (Man In Town)
November 4, 2023
La foire Artissima, à Turin: un modèle unique (L’Echo)
November 3, 2023
I migliori 9 stand all’edizione 2023 di Artissima (Artribune)
November 3, 2023
What to See at Artissima 2023, Section by Section (Elle Decor Italy)
November 2, 2023
Sperimentale, di ricerca e cutting-edge, Artissima compie 30 anni (exibart)
October 16, 2023
AI Bias and Digital Colonialism; A Conversation with Morehshin Allahyari,by Niall Patrick Walsh (Archinect)
October 4, 2023
Merik Goma at Management (Art Viewer)
September 27, 2023
Six Questions For Jura Shust (Tique)
September 26, 2023
Vladislav Markov (0→1)
September 13, 2023
Merik Goma at Management (Collector Daily)
September 9, 2023
PhotoFairs Is Taking Over Javits Center for the Weekend (La Voce di New York)
September 8, 2023
Photofairs New York shows the promise and peculiarity of an evolving market, by Tim Schneider (The Art Newspaper)
September 7, 2023
Saisonstart in New York: Die neue Fotomesse gibt sich jung (Handelsblatt)
August 11, 2023
Merik Goma. Your absence is my monument; When your being was my everything (Meer)
July 4, 2023
In His East Williamsburg Studio, Artist Vladislav Markov Makes 3D Prints, Pounds Coffee, and Plays a Single Song on Repeat, by Katie White (Artnet)
June 18, 2023
Tim Brawner, Glad Tidings (O Fluxo)
June 1, 2023
Tim Brawner interview with Brainard Carey (Yale University Radio)
May 31, 2023
Tim Brawner's Glad Tidings reviewed by Andrew Woolbright (The Brooklyn Rail)
May 22, 2023
Tim Brawner, Glad Tidings (Kubaparis)
May 22, 2023
Tim Brawner's Glad Tidings is a Critics' Pick, by Chris Bors (Artforum)
May 19, 2023
The Dust, the Paint, the Glue: Artists at NADA New York Embrace Household Materials and Domestic Scenes While Digital Art Recedes (Artnet)

"Nearby on the roof, there’s a mesmeric video work by Morehshin Allahyari, a composite of A.I.-generated images that counter the gendered gaze of 18th-century Persian portraiture. It stands out as a genuinely compelling use of A.I. in art, but also as something of an outlier at NADA." — Richard Whiddington
May 19, 2023
NADA Art Fair Takes Chelsea With High Energy (The New York Times)

"At once hypnotic and unnerving is “Moon-Faced,” a video installation of Qajar Dynasty Persian portraits digitally rendered androgynous by Morehshin Allahyari, presented on the roof by Management, New York." — Will Heinrich
May 14, 2023
Tim Brawner, Glad Tidings (Art Viewer)
May 10, 2023
Tim Brawner, Glad Tidings (Autre)
May 3, 2023
Tim Brawner's Glad Tidings is selected as a Must See (Artforum)
April 4, 2023
Jura Shust, Artist of the Week (LVL3)
March 22, 2023
Tim Brawner interviewed by Jeannie Rhyu (Mint Tea)
February 22, 2023
In 'Coniferous Succession' conifers metamorphosise as sites of excavation, by Dilpreet Bhullar (Stirworld)
February 18, 2023
Jura Shust, Coniferous Succession (Kubaparis)
February 18, 2023
Jura Shust, Coniferous Succession (O Fluxo)
February 18, 2023
Jura Shust at Management (Art Viewer)
January 31, 2023
In the Studio: Morehshin Allahyari re-figures histories and imagines new futures by Kayla Anderson (art21)
January 25, 2023
ChatGPT May Well Rewrite the Rules of the Art World. But Art Also Shows Us the Limits of What A.I. Can Do, by Tim Schneider (Artnet)
January 20, 2023
Jura Shust's Coniferous Succession is selected as a Must See (Artforum)
December 16, 2019
Collaborative Creation: Tahir Karmali Interviewed (BOMB)
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